Saturday, 4 February 2012

MASTERING VIOLIN?

Mastering the violin is no joke. Generally people may have different imaginations about mastering.
In a general sense we associate the word 'practice' to make it perfect. But practicing involves the back up of the micronomic physical & mental applications behind with the art of violin playing.

In general we may think in general about the people who are in lime light as how much they would have practiced to take the flexibility into the heart & roam with the precision & freedom of flexibility.
Some people also learn under different masters at a time that can also give confusions in the system of understanding. So mastering an instrument involves slow & steady micro mental evolutions in recognising the
system of application.

The phenomenal of improvisation is some times difficult to describe but the subtle nuances requires
attention beyond ones imagination. Example: Some of the children are able to translate tunes into
notes. How is that only certain phenomenals are visualised but not for every one.
Rather than saying that as samskara I would like to say the extraordinary mental phenomenal to combine the physical & the mental processing. In general we call that as an observation. In general we understand that as an ability to understand music.

At this level I feel I havent mastered violin as every step I progress I find new things to be mastered.
Rather than trying to know whether you have mastered or not its good that you keep working for the betterment in the system knowledge with the target of continuity & sincerity under the master you believe.

Wednesday, 1 February 2012

GRIP FOR VIOLIN PLAYERS

Grip in general a common practice to have a control. For the violin player there is a need to control over multi micro phenomenals which some times being followed unnoticed.

IMPORTANT OBSERVATIONS:

1. COMFORTABLE BODY GRIP WHILE SITTING ON THE FLOOR.

2. GOOD CONTROL & GRIP OVER THE INSTRUMENTAL HOLDING.

3. EASIER APPROACH IN MAKING YOUR LEFT HAND COMFORTABLE TO HANDLE YOUR LEFT HAND FINGERS ON THE FINGER BOARD.

4.GOOD CONTROL ON THE VIOLIN BOW TO FLEX ACCORDING TO THE REQUIREMENTS.

FURTHER DETAILS................

CONTACT DR RAGHURAM

9449346638
9591949802

Friday, 20 January 2012

MAINTAIN YOUR VIOLIN

NEVER KEEP YOUR VIOLIN UNDER SUN LIGHT

NEVER KEEP IN YOUR VIOLIN IN YOUR CAR DICKY.

HANDLE YOUR VIOLIN LIKE A LITTLE NEW BORN BABY.

DONT HANDLE YOUR VIOLIN WITH WET HAND.

NEVER KEEP VIOLIN ON THE BARE FLOOR SURFACE WHEN YOU ARE NOT PLAYING VIOLIN.

FOR MORE DETAILS CONTACT DR RAGHURAM.....9449346638/9591949802

SIMPLE THINGS TO GET BETTER ON THE VIOLIN

  • PRACTICE DAILY
  • KNOW WHAT TO PRACTICE
  • HEAR WHAT YOU PRACTICE
  • REVISE WHAT YOU PRACTICE
  • RECORD WHAT YOU CAN PRACTICE
  • REVIEW YOUR STANDARD OF THE TONE, PERFECTION, CLARITY.

SUCCESS ON THE VIOLIN

NO CESS FOR THE SUCCESS.

PRACTICE GIVES ACT OF PERFECTION

VIOLIN

V: VIBRANT

I:INTELLECTUAL

O: ONE AND THE ONLY

L: LOVELY

I: INSTRUMENT

N: NUMERO UNO

Tuesday, 19 April 2011

CLASSICA MUSIC ADVICE FOR THE LEARNERS

Usual appreoach from the parents is about "HOW MANY YEARS IT TAKES TO LEARN?"

The learning process is infinite. In the art field there cant be a consistent , constant, ready made answer like how many years you can master the subject.

But one can ascend further provided there is consistent practice.

ART IS BORN IN THE BUTCHERY ...............INITIAL STAGE

ART IS TRANSFORMED INTO CLOUDY CONTENTS..............PASSING STAGE

ART IS PROCESSED WITH QUESTIONS, ANSWERS.................TRANSFORMING STAGE

ART IS THE PART OF OUR EVERY MINUTE OF OUR LIFE.............LEARNING STAGE

ART ENTERING TO THE HEART ............................MAY BE TOWARDS THE REALISATION

So art cant be equated best by saying one has achieved certification.

My dear friends Art is only when we practice.

Even there is a saying perfection as a a myth.

This is because world is ..............small